Monday, August 20, 2007

The Bourne Ultimatum

Paul Greengrass, USA, 2007
3.5 out of 4 stars

First off, I should mention that there's this theater in the Ontario Mills mall, not far from where my uncle lives, that has three mega-sized screens, and after going to see stuff there for years when we visited, my mother and I finally managed to see something in the largest of the three screens. The movie thus fully consumed my field of vision, and the sound was also booming.

I mention all this because I can't help but suspect that it was probably in a factor in my deciding that this is easily the best film in the Bourne series. To be honest, I was somewhat surprised that the first one was so well-regarded, as it seemed like typical fare to me. The second one made a more favorable impression, but I did wonder, after watching it, if Paul Greengrass' jerky, pseudo-documentary camera technique wasn't better suited for pieces like United 93 than for action films (Greengrass did not direct the first film, by the way).

Indeed, I had the same questions as this film opened; actually, I was initially worried that I was going to get some combination of nausea and whiplash from seeing this kind of camerawork on this size of screen. Instead, I felt particularly engaged in the action, in a way that I haven't felt in a while. I do suspect that the only thing that's really changed between this film in the last is the medium I saw it in, hence my disclaimer above.

That said, i did find the storyline to be a lot less impenetrable this time. Some might point out that shortcuts were taken, or perhaps claim that the story was more sophisticated in the last film. However, I felt that I really appreciated the clarity with with the conflict was drawn. The primary villain, played by David Strathairn, is a CIA man whose methods will not be unfamiliar to anyone who has been paying attention to the news about renditions, secret prisons, and so on, giving this film a much-needed jolt of relevance. Bourne's attitudes towards the goings-on aren't always clear, but a strong supporting cast anchored by Joan Allen and Julia Stiles facilitates a strong, compelling conflict centered around these issues. It might be cheating to tie in Bourne's brainwashing campaign to the recent news of CIA misbehavior, but it felt like it was well-earned to me. I strongly recommend this film!

Source: Universal 35mm print
6 Aug, 2:15 PM

Thursday, August 09, 2007

The Maltese Falcon

John Huston, USA, 1941
4 out of 4 stars

I first saw this film before graduate school, and I have now shown it three times for the last class in the composition series. The last time, I went out for a sandwich at one point, so I don't consider that a "full" viewing.

The time before that, I registered some displeasure at the one time that my students laughed. Well, if that's truly a bad thing, then I should have been out of my mind this time, as a big chunk of my students laughed numerous times throughout the movie. Actually, one student later explained in office hours that one of her peers in that corner of the room had a very contagious laugh, which makes a lot of sense, if only because I found myself laughing quite a bit as well!

So, did it take the serendipity of a giggly 19-year-old woman to reveal that The Maltese Falcon was actually a comedy after all? I think that's going a bit far, but it did make me think more carefully about the obvious fact of how ridiculous many elements are - deliberately, mind you. Joel Cairo (Peter Lorre), the walking gay/foreign stereotype is always throwing these absurd fits, while Sam Spade (Humphrey Bogart) at one point throws his own fit, just to get his foes into the right mindset (why this works is unclear, but it certianly does, and he calms down as soon as he leaves the room, to let us know he was just kidding - he doesn't really have that much emotion!).

I'm not sure I have much more to add than that for this viewing. I did raise the rating by a half star, if only because I'm not sure that I can find a whole half-star worth of flaws in this movie (does it really matter that much that Mary Astor is not that convincing? Maybe she's not supposed to be).

Source: Warner special edition DVD
24 July, 11:30 AM