Tuesday, March 27, 2007

In America

Jim Sheridan, UK / Ireland, 2002
3 out of 4 stars

Maybe it's just because I went a while without watching any movies, but lately, I've been having a lot of trouble evaluating the films I've been seeing. This in particular is a strange animal, in that it constantly threatens gloom and doom but veers away from it towards something else, as the bad events are mostly in the past, gradually developed through furtive references.

In fact, it's had to get a handle on the rhythm of this story, in which an Irish family illegally immigrates into Manhattan. It seems to be some kind of memoir which may explain why the story doesn't unravel in a very "clean" manner, but there are nonetheless some pretty obvious cinematic conventions going on here, the most glaring of which is the Magical Black Man (a la The Green Mile et al), played here by Djimon Hounsou. Dismissing his plotline in such a way may seem harsh, but it's pretty accurate.

And yet... it is a crime for a story not to go the way you expect it to? This does seem like a fairly insightful character study, and the acting is good, especially from the children, believe it or not (although they do sorta look a bit too clean and happy, too much like they are about to go home to their suburban homes right after the scene wraps, which of course they are, I imagine). I can't really tell if the filmmakers are subverting expectations or just confused or deceitful about the story they want to tell, and I suspect I'm being too hard on a good film... so consider this somewhere in between 2.5 and 3 stars.

Source: Fox DVD
27 March, 8:35 PM

Sunday, March 25, 2007

Primer

Shane Carruth, USA, 2004
2.5 out of 4 stars

Who's up for some indie, low budget realist scifi adventure? Okay, perhaps "adventure" might not be the right word for a rather low key film about a couple of tech workers who try to invent things in their garage until one day, they stumble upon a reality-bending device. I might well be being too easy on this one, simply because it was so difficult to understand what was happening that I ultimately decided that I shouldn't hold my lack of comprehension against it. It seems clever and sort of dark, but it also seems a bit like the Sundance version of any number of Star Trek episodes I could name. Like another film I've seen recently, it's also 77 minutes, and it seems pretty clear that it's not any longer than the filmmaker could afford to make. I think that it's somewhat possible that some of the missing pieces of information here are actually a result of running out of money, and instead are made into a virtue by creating a "mindbender," but maybe it really is just difficult to understand. I usually try to avoid reading any websites about a film until after I've written these, but in this case, I'm looking at some stuff that explains how this is all about science and how really no one gets it after the first viewing. I guess I am not much of a science guy or a repeat-viewing guy, so I am willing to consider that it might be a masterpiece after watching it 50 times, but there are other films to watch, after all.

Source: Warner DVD
25 March, 7:53 PM

The Science of Sleep

(La science des rêves)
Michel Gondry, France / Italy, 2006
3 out of 4 stars

The stock critical narrative regarding this film is that Michel Gondry's visuals are still entrancing, but without the help of screenwriter Charlie Kaufman, with whom he collaborated on with Eternal Sunshine of the Spotless Mind, the visuals are just adrift and things are just meaningless, too indulgent. The trouble with reading reviews and criticism is that, if you don't have a strong feeling of your own about a film, it's fairly easy to go along with the established critical narrative, and in this case, I suppose I agree, but I would go so far as to agree with those who see this as a "bad" film.

It is quite amazing but nowhere near as amazing as his "other" film, because it is so directionless. The characers are just as "charming" but their relationship is very over-familiar, only dressed up with mass amounts of quirkiness. Luckily the quirk is quite engaging and all, so it's not just a rote film, but yeah, a story would help, I am afraid.

Source: Warner DVD
24 March, 8:05 PM

Saturday, March 24, 2007

The Motel

Michael Kang, USA, 2005
2 out of 4 stars

This Asian American coming of age story is a bit unusual, but largely ordinary, in the way that many low-budget, self-consciously "indie" films strive to be. I usually don't mind it when a film is short, but this one seems to be only 77 minutes because the filmmakers simply don't have anything else to say. Everything seems to follow a pattern and the acting is a bit off, perhaps because the emotions are overly muted. I understand the value of understatement, but this is a film that wants to make some kind of statement, so it's a bit problematic in this case. It's a valiant effort, but just not that good.

Source: UMVD DVD
23 March, 9:28 PM

Thursday, March 22, 2007

Riding Alone for Thousands of Miles

(Qian li zou dan qi)
Zhang Yimou, China / Hong Kong / Japan, 2005
4 out of 4 stars

An elderly Japanese man is trying to bridge an unexplainable gap that has developed between him and his son, when his daughter-in-law gives him a tape of that son’s trip to China to film a folk opera. Inspired by a promise the son makes to film a different piece next year, the old man travels to Yunnan province to do it himself, hoping that this gesture will mean something to his son.

Yes, in between the interesting but flawed House of Flying Daggers and the positively infuriating Curse of the Golden Flower, Zhang Yimou actually made another “human” film hearkening back to his old days, but the introduction of the Japanese element makes this a different film, as we now have Ken Takakura, apparently a major film star, acting alongside the local non-actors that Zhang had become accustomed to using before he switched to wuxia. And of course, Takakura’s character and the Chinese villagers he meets don’t understand each other and interpreting services are not always easy to come by.

Simply put, this is one of the best quest-driven films I’ve seen in a while, and although I’ve liked Zhang’s earlier films, I think I liked this one even more because it has those quiet, reflective moments but uses them in service of a surprisingly-compelling story (whereas that description above might have given away the entire plot of some of his films, there are plenty more twists and turns in this one). The theme of communication, or lack thereof, is very successfully developed throughout; this man can’t talk to his son, he can’t talk to the Chinese, but somehow these folks find a way, more or less. It’s all very moving and surprisingly funny at times. I strongly recommend checking this out.

Source: Sony DVD
22 March, 12:02 PM

Sunday, March 04, 2007

Zodiac

David Fincher, USA, 2007
3.5 out of 4 stars

Sometimes it helps to read the press. In my case, I probably would have avoided the film if I had been under the false impression that this film addresses the serial killer subject by engaging in some kind of creep-out gore-fest (whereas my friends, and the teenagers apparently being kept out be a heightened alter of ID checking, were indeed expecting such a thing apparently). And of course, Fincher does have a certain reputation thanks to Seven. But no, what we have here, and what I was prepared and made interested in for thanks to various pieces I read and heard, is a very talky procedural concerned with the role of the media in society, the nature of obsession, and other things that I find more interesting than the lurid wallowing in the bloody details; this is more the subject of the film itself than its actual modus operandi.

Another key here is the thoroughness of the film, and Fincher's desire that it be seen as fairly accurate. While I'm sure liberties were taken, there is a reason why Dirty Harry, a more fictionalized, contemporary version of this story, features prominently in one segment. There seems to be a real need for the filmmakers to tell a story that hews as close to the facts as possible, meaning that various laws of dramatic structure are clearly transgressed in order to give a more accurate, but still very compelling picture about how this case affected the lives of two men working at the San Francisco Chronicle and two SFPD officers. Admittedly, I am usually not all that fond of Law and Order and its spawn, but this film does take care to provide us with compelling characters and engaging dialogue. It is long, but it is worth checking out.

Source: Paramount 35mm print
4 March, 11:35 AM